Keypoints:
- Dream Count marks Adichie’s literary comeback
- Novel follows four Nigerian women in the US
- Themes include identity, grief and feminism
CELEBRATED Nigerian author Chimamanda Ngozi Adichie is making a triumphant return to fiction after a 12-year pause, with her new novel Dream Count drawing early praise for its emotional depth, feminist critique and poignant storytelling.
The book traces the intertwined lives of four Nigerian women who emigrate to the United States in search of personal and professional fulfilment, only to find their dreams unravel in unexpected ways.
‘I’m interested in how much of a woman’s dream is really hers, and how much is what society has told her to dream about,’ Adichie told AFP during an interview at the Paris launch of the French edition on March 27.
Four women, many dreams
At the heart of Dream Count is Chiamaka, a Nigerian writer who resists her wealthy family’s push for marriage, choosing instead to follow her passion. Her friend Zikora achieves her dream of motherhood, only to be left by the child’s father. A cousin gives up a thriving corporate career to pursue education, and Kadiatou, Chiamaka’s housemaid and confidante, faces a life-altering trauma when she is sexually assaulted while working at a luxury hotel.
Together, the women navigate disillusionment, social pressure, and racism, but remain bonded by a shared resilience.
‘Women are socialised to think of each other as competition,’ Adichie said. ‘So when a woman makes the choice to really love and support another woman, it’s an act of revolution.’
Beyond labels, beyond borders
Adichie, whose TED Talk We Should All Be Feminists went viral and was later sampled by Beyoncé in her hit Flawless, remains wary of being boxed in by labels.
‘I don’t think of myself as a “feminist writer”,’ she told AFP. ‘I think of myself as a writer. And I’m also a feminist.’
She believes stories should embrace complexity and contradiction: ‘We’re all full of contradictions,’ she added with a smile.
Dream Count also challenges the Western ‘single story’ of Africa as a continent solely defined by poverty and conflict. ‘There’s still the tendency to look at Africa as a place to be pitied,’ Adichie warned, citing Nigeria’s booming creative and business sectors as proof of a far more nuanced reality.
A personal journey through grief
Adichie, now 47, has seen her books translated into more than 50 languages, with titles like Half of a Yellow Sun and Americanah winning critical acclaim worldwide. But her return to fiction wasn’t easy.
After the birth of her daughter in 2016, she experienced a prolonged period of writer’s block. It wasn’t until the deaths of both her parents — her father in 2020 and her mother in 2021 — that she found the emotional release to begin writing again.
‘Only when I was almost done did I realise: “My God, it’s about my mother!”,’ she told The Guardian in February. Speaking to AFP, she added, ‘I think she said: “You know, I need to get my daughter writing again so she doesn’t go completely mad from grief.”’
A transformative work
Dream Count, Adichie says, is unlike anything she’s written before. ‘This is the first novel that I’ve written as a mother. And the first I’ve written as an orphan. It’s made my writing different.’
The result is a novel that blends raw emotion with razor-sharp insight, marking a powerful new chapter in the author’s remarkable literary career.
